Berlinale. And how interesting, for philosophers, that this particular act of mimesis marked his departure from sanity. Then he lost consciousness and slid to the ground, still clasping the tormented horse.”, “Nietzsche threw his arms around the horse’s neck, tears streaming from his eyes, and then collapsed onto the ground.”, “As Nietzsche fell on the pavement, he threw his arms around the neck of a mare that had just been flogged by a coachman.”, “Nietzsche had just left his lodgings when he saw a cab-driver beating a horse in the Piazza Carlo Alberto. It recalls the whipping of a horse in the Italian city Turin which is rumoured to have caused the mental breakdown of philosopher Friedrich Nietzsche. Wenn Sie Nietzsche horse nicht versuchen, fehlt Ihnen womöglich bloß der Ansporn, um tatsächlich etwas zu berichtigen. Strange, then, that there is actually very little evidence that there ever was such a horse. Béla Tarr ‘s The Turin Horse is built around a legendary act of cruelty. The report reads: One day when Mr. Fino was walking along the nearby Via Po — one of the main streets of Turin — he saw a group of people drawing near and in their midst were two municipal guards accompanying “the professor.” As soon as Nietzsche saw Fino he threw himself into his arms, and Fino easily obtained his release from the guards, who said that they found that foreigner outside the university gates, clinging tightly to the neck of a horse and refusing to let it go. Nietzsche's Horse: 11,28€ 11: The Turin Horse [Blu-ray] [UK Import] 13,25€ 12: January 3, 1889: Nietzsche Witnesses the Flogging of a Horse: 1,26€ 13: I Am Dynamite! But was Nietzsche’s horse not also Dostoevsky’s? Das Turiner Pferd (Originaltitel: A Torinói ló) ist ein Spielfilm des ungarischen Regisseurs Béla Tarr aus dem Jahr 2011. German philosopher Friedrich Nietzsche witnessed the whipping of a horse while traveling in Turin, Italy. The horse story is, for him, “something that very graphically demonstrated the link between a cause and its effect. The remaining 11 years of his life were spent under care, and under the spell of profound madness. László Krasznahorkai had a short story about Nietzsche’s incident where he asked the question what happens to the horse afterwards, and this is exactly what the film is about: our fictional answer to this question. There is also the fact of the symbolic potency of the horse. When was the idea for the film born? He had been living a transitory existence for some years, having all but excluded himself from positions at German universities due to his irreligious thought and his provocative writings. Mit jedem Tag wird den beiden ein Stück ihrer Lebensgrundlage entzogen. Perhaps Nietzsche did have horses on his mind when he stepped into the square on that January morning, and was drawn by some impulse towards one. The Turin Horse [Blu-ray] [UK Import] 13,25€ 2: January 3, 1889: Nietzsche Witnesses the Flogging of a Horse: 1,26€ 3: I Am Dynamite! A Torinoi Lo - Béla Tarr - 2011 - 1080p; By Believe_in_Not_Believing . 1889. Given the circumstances, it is easy to imagine that Nietzsche may well have been weeping — thus the addition of his tears to many of the versions seems broadly permissible. "The Turin Horse" veranschaulicht an vielen Beispielen die unbewusst ausgeführten tagtäglichen Rituale, die - Tier - Mensch - und - Natur - über sich ergehen lassen müssen - bis - eines Tages, eines nach dem anderen seine "Arbeit" einstellt. Januar 1889 tritt in Turin Friedrich Nietzsche durch die Tür des Hau -ses Via Carlo Alberto 6. It might be tempting to over-emphasize the role of Nietzsche’s horse in his life precisely because we feel forced to read it as a focal point of compassion. “Human,” he might say; “All too human.”. Many times, a writer, in order to prove a point or deepen the significance of his work, looks for a nice bite-sized snippet from a piece previously written by a great mind. Billed Into Silence: Money and the Miseducation of Women. Verdammnis | Nietzsche puts an end to the brutal scene, throwing his arms On January 3, 1889 in Turin, Italy, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Die Monotonie der Bilder, die Wiederholung der Handlungen und die sich langsam ausbreitende Resignation entwickeln eine Sogkraft, der man sich schwer entziehen kann.“, Internationale Filmfestspiele Berlin 2011. Was aus dem Pferd geworden sei, sei unbekannt.[1]. This fabled story begins with Nietzsche leaving his lodging in Turin, Italy. The film begins with a narrator explaining German philosopher Friedrich Nietzsche's infamous mental breakdown in Turin, Italy in 1889 after seeing a man continually whip his horse, which yet refused to move. He writes, for instance, in The Gay Science, that “One thing is needful. The above is a fairly uncontroversial telling of the episode, which is generally considered an important one within his intellectual history: it marks a definitive moment, between great philosopher and broken mind. The Turin Horse by Béla Tarr “In Turin on 3rd January, 1889, Friedrich Nietzsche steps out of the doorwayof number six, Via Carlo Albert. It has been convincingly argued that Nietzsche’s works amount to a philosophy of aestheticism — that he commands us to live life as one would write literature. It was co-written by Tarr and his frequent collaborator László Krasznahorkai. The episode also inspired a 2011 film, The Turin Horse. The cabbie, in turn, mercilessly begins to flog his horses with a “terrible fist”: “the coachman, who could barely hold on because of the blows, kept lashing the horses every second like one gone mad; and at last his blows made the horses fly off as if possessed.” The young Dostoevsky’s own cabbie, shaking his head at the scene, tells him that this was quite usual, and that “the lad, perhaps, that very day will beat his young wife: ‘At least I’ll take it out on you.’” Dostoevsky serves this up as a stark example of how violence breeds violence, and injustice breeds injustice. Crying, he runs forward and looks the horse directly in the eye, and in doing so, is caught by a lash from the whip. Raskolnikov, in the voice of a child, pleads with the men to stop. Every blow that rained down on the animal was the direct result of every blow that fell on the man.”. The truth is we know very little about what occurred on that fateful January day in 1889. Nietzsche, who directed his philosophy against Schopenhauer’s conceptions of pity and empathy, would appear to be bearing witness to the cracks in his own reasoning if he himself, in a moment of radical pathos, is brought trembling and weeping to his knees by a beaten nag. The Turin Horse [Blu-ray] [UK Import] 13,25€ 2: January 3, 1889: Nietzsche Witnesses the Flogging of a Horse: 1,26€ 3: I Am Dynamite! [1] Der Kinostart in Deutschland erfolgte am 15. 1889. Outside a pub, a drunken rabble surrounds a weary old horse, hitched to a weighty cartload that it cannot possibly pull. So goes the story of Nietzsche’s collapse in Turin, at least as far as conventional wisdom has it. Throughout the 1866 composition of Crime and Punishment, the horse story was always intended to serve as part of Raskolnikov’s intellectual development; indeed, in Dostoevsky’s notebooks of the period, he attempts to find a place for the horse story no less than six times in the structure of the novel. The Turin Horse von Béla Tarr „Am 3. Jahrhunderts den 63. Nietzsche's Horse: 11,28€ 11: The Turin Horse [Blu-ray] [UK Import] 13,25€ 12: January 3, 1889: Nietzsche Witnesses the Flogging of a Horse: 1,26€ 13: I Am Dynamite! The horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Panelkapcsolat | (Fino doesn’t actually mention a collapse either, but letters circulating amongst Nietzsche’s friends at the time make it clear that a fall took place.) Später erscheinen Zigeuner und trinken aus dem Brunnen, werden aber von dem wütenden Bauern verjagt. Breaking into tears, he slumped to the floor. But for The Turin Horse, it really is more of a novel than a script that he wrote. Here is a selection of excerpts from five of the more well-known accounts of Nietzsche’s life: “On 3 January 1889 or thereabouts he tearfully embraced a mistreated nag in the street.”, “With a cry he flung himself across the square and threw his arms about the animal’s neck. The story of the Turin horse was thus told 11 years after the event it purports to describe, by an unnamed reporter, who recounts a version of events spoken to Nietzsche’s landlord by an equally nameless police officer. Raskolnikov throws his arms around the bloodied muzzle and kisses it around the eyes, calling in vain for the barbarism to stop. German philosopher Friedrich Nietzsche witnessed the whipping of a horse while traveling in Turin, Italy. For one, he provides his own links between his pre-madness biography and the works of Dostoevsky. Raskolnikov, who will imminently butcher two old ladies with an axe, is anxiously laid up in bed. Die Werckmeisterschen Harmonien | But note that there is no coachman whatsoever in Fino’s version of events, and that the very suggestion that the horse might have been suffering at the hands of anyone has trickled into the narrative during its retelling. The horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Am nächsten Tag ist ihr Brunnen versiegt. Als ein unablässiger Sturm durch das Land zieht, verändert sich das Leben der beiden notgedrungen. Perhaps the sight of a horse being flogged really did raise in him the image of Dostoevsky’s pitiful nag, and he felt a peculiar compulsion to complete the scene. Das Turiner Pferd, 100 bedeutendsten Filmen des 21. Satanstango | "The Turin Horse" setzt ein mit einem Monolog aus dem Off, in dem von Nietzsches bekanntem Vorfall im Turin des Jahres 1889 berichtet wird: Er … Szabadgyalog | An old coachman with an expression of the most brutal cynicism, harder than the surrounding winter, urinates on his horse. A rural farmer is forced to confront the mortality of his faithful horse. It is a meditation on Nietzsche who, in Turin in 1889, was said to have seen a horse being thrashed, and protectively threw his arms around the beast, then sobbingly collapsed due to … Die Landschaft ist karg, die Arbeit und der Tagesverlauf eintönig und gleichförmig. Platz. And around the same time, Nietzsche was having his own dreams of horses. Őszi almanach | Sodass Sie zu Hause mit Ihrem Nietzsche horse hinterher wirklich zufriedengestellt sind, haben wir außerdem einen großen Teil der schlechten Produkte bereits aus der Liste geworfen. And stranger still that the episode seems to have been torn from the pages of a writer revered by Nietzsche: Fyodor Dostoevsky. Nietzsche puts an end to the brutal scene, throwing his arms around the horse s neck, sobbing. When he is taken home, Nietzsche’s mind is … Nietzsche's Horse: 11,28€ 21: The Turin Horse [Blu-ray] [UK Import] 13,25€ 22: January 3, 1889: Nietzsche Witnesses the Flogging of a Horse: 1,26€ 23: I Am Dynamite! By the writing of the novel, when Dostoevsky was 44 years old, he came to view the story as a formative memory: “My first personal insult, the horse, the courier.” Fittingly, then, a similar episode resurfaces in Dostoevsky’s final novel The Brothers Karamazov, in the chapter “Rebellion.” In that work, a story is told of a horse that cannot pull its cartload; the owner “beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again.” We are told that the story is “peculiarly Russian.” Surprisingly, we also discover that these words are adapted from “lines from Nekrasov” — a reference to the poem “O pogode” (“About the Weather”) by Nikolai Nekrasov, in which a “hideously lean” horse is beaten to death in front of a laughing mob. Das Pferd hört auf zu fressen und schließlich zu trinken, der Brunnen versiegt, das Feuer im Herd brennt nicht mehr. He recalls that at age 15, he, his father, and his brother were journeying on the road when they saw a man in military uniform, having freshly swallowed down a glass of vodka, return to a cab and immediately and senselessly set about beating his driver around the back of the head. Mit Erika Bók, János Derzsi, Mihály Kormos, Ricsi. Juli 2020 um 12:36 Uhr bearbeitet. Seeing a horse being flogged by its owner, he threw himself towards the animal and embraced it. True or not, it is now part of how we understand his life, and it is now a rock, easily thrown by his critics, which might knock down those structures of his thinking we find might less palatable today. In 1888 he had written Ecce Homo, a philosophical work resembling biography, subtitled “How One Becomes What One Is.” Might it be that, in embracing a horse in the manner of Raskolnikov, he was writing one last chapter to his life and work?